[et_pb_section fb_built=“1″ custom_padding_last_edited=“off|desktop“ admin_label=“Hero“ _builder_version=“4.9.10″ use_background_color_gradient=“on“ background_color_gradient_start=“#ffffff“ background_color_gradient_end=“#ffd896″ custom_margin=“|||“ custom_padding=“100px||100px|“ custom_padding_tablet=“130px||130px|“][et_pb_row column_structure=“1_2,1_2″ admin_label=“title and illustration“ _builder_version=“3.25″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_margin=“|||“][et_pb_column type=“1_2″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.9.10″ header_font=“Merriweather|700|||||||“ header_font_size=“46px“ header_line_height=“1.3em“ custom_margin=“||0px|“ animation_style=“flip“ animation_direction=“top“]<\/p>\n
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[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_image src=“https:\/\/www.2021.tic-conference.eu\/wp-content\/uploads\/2021\/07\/conference_illustration_07.png“ force_fullwidth=“on“ align_tablet=“center“ align_phone=““ align_last_edited=“on|desktop“ admin_label=“illustration“ _builder_version=“3.23″ animation_style=“slide“ animation_direction=“right“ animation_intensity_slide=“10%“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Speakers“ _builder_version=“3.22″ custom_padding=“90px||50px|||“ animation_style=“zoom“ animation_intensity_zoom=“10%“][et_pb_row column_structure=“1_3,2_3″ _builder_version=“3.25″ custom_margin=“|||“ custom_padding=“40px|0px|40px|0px“][et_pb_column type=“1_3″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_image src=“https:\/\/www.2021.tic-conference.eu\/wp-content\/uploads\/2021\/07\/janpedersen.png“ title_text=“janpedersen“ _builder_version=“4.9.9″ custom_margin=“|||“ custom_margin_tablet=“90px|||“ custom_margin_last_edited=“off|desktop“ always_center_on_mobile=“off“ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.9.10″ text_font=“||||||||“ text_text_color=“#7e7f93″ text_font_size=“18px“ header_font=“||||||||“ header_3_font=“Merriweather|700|||||||“ header_3_text_color=“#fea30b“ header_3_font_size=“36px“ header_3_line_height=“1.4em“ locked=“off“]<\/p>\n
B\u00fdval\u00fd predseda ESIST, \u010dlen EST<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.9.10″ text_font=“||||||||“ text_font_size=“18px“ text_line_height=“1.8em“]<\/p>\n Jan Pedersen \u0161tudoval na univerzit\u00e1ch v \u0160tokholme, Kodani a Uppsale. PhD obh\u00e1jil na \u0160tokholmskej univerzite v roku 2007 a v roku 2015 sa stal docentom translatol\u00f3gie. Jeho dizerta\u010dn\u00e1 pr\u00e1ca s n\u00e1zvom Scandinavian Subtitles<\/em>\u00a0je komparat\u00edvnou \u0161t\u00fadiou telev\u00edznych noriem titulkovania v \u0161kandin\u00e1vskych krajin\u00e1ch. Je b\u00fdval\u00fdm predsedom ESIST, \u010dlenom EST a TraNor ako aj spolueditorom a spoluzakladate\u013eom platforiem\u00a0Benjamins Translation Library<\/em>\u00a0a\u00a0Journal of Audiovisual Translation.<\/em>\u00a0\u010casto vystupuje na medzin\u00e1rodn\u00fdch konferenci\u00e1ch a medzi jeho publik\u00e1cie patr\u00ed nielen monografia\u00a0Subtitling Norms for Television<\/em> (2011), ale aj viacero \u010dl\u00e1nkov o titulkovan\u00ed, preklade a lingvistike. Okrem toho ako titulk\u00e1r dlh\u00e9 roky pracuje v telev\u00edzii. Jan p\u00f4sob\u00ed na \u0160tokholmskej univerzite, kde riadi Tlmo\u010dn\u00edcky a prekladate\u013esk\u00fd in\u0161tit\u00fat a venuje sa tam v\u00fdskumu a vyu\u010dovaniu audiovizu\u00e1lneho prekladu.<\/span><\/p>\n<\/div>\n [\/et_pb_text][et_pb_button button_url=“\/keynote-speakers\/jan-pedersen\/#jan-key“ button_text=“Keynote speech“ _builder_version=“4.9.10″ _module_preset=“default“ custom_button=“on“ button_text_color=“rgba(0,0,0,0.72)“ button_bg_color=“#fea30b“ button_border_color=“#FFFFFF“][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“3.25″ custom_margin=“|||“ custom_padding=“40px|0px|40px|0px“][et_pb_column type=“1_3″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_image src=“https:\/\/www.2021.tic-conference.eu\/wp-content\/uploads\/2021\/07\/lawrencevenuti.jpg“ title_text=“lawrencevenuti“ _builder_version=“4.9.9″ custom_margin=“|||“ custom_margin_tablet=“90px|||“ custom_margin_last_edited=“off|desktop“ always_center_on_mobile=“off“ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.9.10″ text_font=“||||||||“ text_text_color=“#7e7f93″ text_font_size=“18px“ header_font=“||||||||“ header_3_font=“Merriweather|700|||||||“ header_3_text_color=“#fea30b“ header_3_font_size=“36px“ header_3_line_height=“1.4em“ locked=“off“]<\/p>\n Profesor anglickej literat\u00fary na Temple University vo Philadelphii<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.9.10″ text_font=“||||||||“ text_font_size=“18px“ text_line_height=“1.8em“]<\/p>\n Tento teoretik a historik translatol\u00f3gie je z\u00e1rove\u0148 prekladate\u013eom z talian\u010diny, franc\u00faz\u0161tiny a katal\u00e1n\u010diny. Je autorom kn\u00edh The Translator\u2019s Invisibility: A History of Translation<\/em>\u00a0(1995, 2. vyd., 2008),\u00a0The Scandals of Translation: Towards an Ethics of Difference<\/em>\u00a0(1998),\u00a0Translation Changes Everything: Theory and Practice<\/em>\u00a0(2013),\u00a0Contra Instrumentalism: A Translation Polemic<\/em>\u00a0(2019) a najnov\u0161ie\u00a0Theses on Translation: An Organon for the Current Moment<\/em>\u00a0(2019). Zostavoval publik\u00e1cie\u00a0Rethinking Translation: Discourse, Subjectivity, Ideology<\/em>\u00a0(1992),\u00a0The Translation Studies Reader<\/em>\u00a0(2000; 3. vyd., 2012) a\u00a0Teaching Translation: Programs, Courses, Pedagogies<\/em>\u00a0(2017). Spomedzi jeho prekladate\u013eskej tvorby treba spomen\u00fa\u0165 najm\u00e4 dielo Antonie Pozzi\u00a0Breath: Poems and Letters<\/em>\u00a0(2002), antol\u00f3giu\u00a0Italy: A Traveler\u2019s Literary Companion<\/em>\u00a0(2003), detekt\u00edvny rom\u00e1n Massima Carlotta\u00a0The Goodbye Kiss<\/em>\u00a0(2006), ale aj zbierku skuto\u010dn\u00fdch a imagin\u00e1rnych \u017eivotopisov Rodolfa Wilcocka,\u00a0The Temple of Iconoclasts<\/em>\u00a0(2014). V roku 2008 sa stal dr\u017eite\u013eom ocenenia Robert Fagles Translation Prize za preklad diela\u00a0Edward Hopper: Poems<\/em>\u00a0od Ernesta Farr\u00e9sa. V roku 2018 z\u00edskal cenu Northwestern University Global Humanities Translation Prize za preklad Foixovho diela\u00a0Daybook 1918: Early Fragments.<\/em> Jeho \u010dinnos\u0165 podporuj\u00fa in\u0161tit\u00facie ako Guggenheimova nad\u00e1cia, National Endowment for the Arts, National Endowment for the Humanities \u010di Institut Ramon Llull.<\/span><\/p>\n<\/div>\n \u00a0<\/span><\/p>\n [\/et_pb_text][et_pb_button button_url=“\/keynote-speakers\/lawrence-venuti\/#lawrence-key“ button_text=“Keynote speech“ _builder_version=“4.9.10″ _module_preset=“default“ custom_button=“on“ button_text_color=“rgba(0,0,0,0.72)“ button_bg_color=“#fea30b“ button_border_color=“#FFFFFF“][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“3.25″ custom_margin=“|||“ custom_padding=“40px|0px|40px|0px“][et_pb_column type=“1_3″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_image src=“https:\/\/www.2021.tic-conference.eu\/wp-content\/uploads\/2021\/07\/susanbassnett.jpg“ title_text=“susanbassnett“ _builder_version=“4.9.9″ custom_margin=“|||“ custom_margin_tablet=“90px|||“ custom_margin_last_edited=“off|desktop“ always_center_on_mobile=“off“ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.9.10″ text_font=“||||||||“ text_text_color=“#7e7f93″ text_font_size=“18px“ header_font=“||||||||“ header_3_font=“Merriweather|700|||||||“ header_3_text_color=“#fea30b“ header_3_font_size=“36px“ header_3_line_height=“1.4em“ locked=“off“]<\/p>\n Emeritn\u00e1 profesorka liter\u00e1rnej komparatistiky<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.9.10″ text_font=“||||||||“ text_font_size=“18px“ text_line_height=“1.8em“]<\/p>\n Susan Bassnett sa vzdel\u00e1vala v D\u00e1nsku, Portugalsku a Taliansku, v\u010faka \u010domu sa u\u017e v detstve nau\u010dila r\u00f4zne jazyky. Na Univerzite vo Warwicku, kde p\u00f4sobila dve obdobia ako prorektorka, zalo\u017eila magistersk\u00e9 a doktorandsk\u00e9 \u0161tudijn\u00e9 programy v odboroch liter\u00e1rna komparatistika a translatol\u00f3gia. Predn\u00e1\u0161a a vedie workshopy po celom svete. V r\u00e1mci v\u00fdskumu sa v s\u00fa\u010dasnosti zaober\u00e1 prekladom a pam\u00e4\u0165ou. Medzi jej najzn\u00e1mej\u0161ie diela patria publik\u00e1cie\u00a0Translation Studies<\/em>\u00a0(1980, najnov\u0161ia 4. ed\u00edcia vy\u0161la v roku 2014) a\u00a0Comparative Literature<\/em>\u00a0(1993), ktor\u00e9 sa v dan\u00fdch oblastiach zaradili do k\u00e1nonu. S Petrom Bushom nap\u00edsala knihu\u00a0The Translator as Writer<\/em>\u00a0(2006). V roku 2015 publikovala v r\u00e1mci s\u00e9rie Routledge\u00a0New Critical Idiom<\/em>\u00a0monografiu s n\u00e1zvom\u00a0TRANSLATION<\/em>\u00a0a v roku 2018 zostavila pre Routledge publik\u00e1ciu\u00a0Translation and World Literature.<\/em>\u00a0Od roku 2017 je porotky\u0148ou s\u00fa\u0165a\u017ee Women Writers in Translation Prize. Susan Bassnettov\u00e1 je nielen translatologi\u010dka a prekladate\u013eka, ale aj \u00faspe\u0161n\u00e1 poetka.<\/span><\/p>\n<\/div>\n [\/et_pb_text][et_pb_button button_url=“https:\/\/www.2021.tic-conference.eu\/keynote-speakers\/susan-bassnett\/#susan-key“ button_text=“Keynote speech“ _builder_version=“4.9.10″ _module_preset=“default“ custom_button=“on“ button_text_color=“rgba(0,0,0,0.72)“ button_bg_color=“#fea30b“ button_border_color=“#FFFFFF“][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“3.25″ custom_margin=“|||“ custom_padding=“40px|0px|40px|0px“][et_pb_column type=“1_3″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_image src=“https:\/\/www.2021.tic-conference.eu\/wp-content\/uploads\/2021\/07\/grbic02_gerhard-1.jpg“ title_text=“grbic02_gerhard (1)“ _builder_version=“4.9.9″ custom_margin=“|||“ custom_margin_tablet=“90px|||“ custom_margin_last_edited=“off|desktop“ always_center_on_mobile=“off“ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.9.10″ text_font=“||||||||“ text_text_color=“#7e7f93″ text_font_size=“18px“ header_font=“||||||||“ header_3_font=“Merriweather|700|||||||“ header_3_text_color=“#fea30b“ header_3_font_size=“36px“ header_3_line_height=“1.4em“ locked=“off“]<\/p>\n V\u00fdskumn\u00ed\u010dka v oblasti translatol\u00f3gie a prekladate\u013eka, Univerzita v Grazi<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.9.10″ text_font=“||||||||“ text_font_size=“18px“ text_line_height=“1.8em“]<\/p>\n Nadja Grbi\u0107 je lingvistka, slavistka a dr\u017eite\u013eka doktor\u00e1tu zo sociolingvistiky. Po\u010das \u0161t\u00fadia pracovala na v\u00fdskume multilingvalizmu v ranom detstve. V roku 1989 sa zamestnala ako odborn\u00e1 asistentka na Katedre translatol\u00f3gie Univerzity v Grazi a v roku 1994 z\u00edskala postavenie vedeckej pracovn\u00ed\u010dky. Do dne\u0161n\u00e9ho d\u0148a m\u00e1 na konte dvan\u00e1s\u0165 n\u00e1rodn\u00fdch a medzin\u00e1rodn\u00fdch vedeckov\u00fdskumn\u00fdch projektov v hodnote 1,6 mili\u00f3na eur, ktor\u00e9 sa okrem in\u00e9ho t\u00fdkali tlmo\u010denia a lexikografie posunkovej re\u010di. Na katedre translatol\u00f3gie vytvorila a zalo\u017eila prv\u00fd denn\u00fd \u0161tudijn\u00fd program pre tlmo\u010dn\u00edkov posunkovej re\u010di, a to v \u010dase, ke\u010f podobn\u00e9 programy vo v\u0161eobecnosti existovali len na katedr\u00e1ch so zameran\u00edm na lingvistiku, soci\u00e1lnu pr\u00e1cu \u010di zdravotn\u00edctvo.<\/span><\/p>\n \u00a0<\/span><\/p>\n [\/et_pb_text][et_pb_button button_url=“\/keynote-speakers\/nadja-grbic\/#nadja-key“ button_text=“Keynote speech“ _builder_version=“4.9.10″ _module_preset=“default“ custom_button=“on“ button_text_color=“rgba(0,0,0,0.72)“ button_bg_color=“#fea30b“ button_border_color=“#FFFFFF“][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Contact“ _builder_version=“3.22″ background_color=“#313476″ custom_padding=“0px|0px|0px|0px“ animation_style=“slide“ animation_direction=“bottom“ animation_intensity_slide=“20%“ animation_starting_opacity=“100%“ box_shadow_style=“preset7″ 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button_two_letter_spacing__hover_enabled=“off“ button_bg_color__hover_enabled=“off“ button_one_bg_color__hover_enabled=“off“ button_two_bg_color__hover_enabled=“off“][\/et_pb_contact_field][\/et_pb_contact_form][\/et_pb_column][et_pb_column type=“1_5″ _builder_version=“3.25″ custom_padding=“110px|8%|70px|12%“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Hlavn\u00ed re\u010dn\u00edci Jan Pedersen Lawrence Venuti Susan Bassnett Nadja Grbi\u0107 Jan Pedersen B\u00fdval\u00fd predseda ESIST, \u010dlen EST Jan Pedersen \u0161tudoval na univerzit\u00e1ch v \u0160tokholme, Kodani a Uppsale. PhD obh\u00e1jil na \u0160tokholmskej univerzite v roku 2007 a v roku 2015 sa stal docentom translatol\u00f3gie. Jeho dizerta\u010dn\u00e1 pr\u00e1ca s n\u00e1zvom Scandinavian Subtitles\u00a0je komparat\u00edvnou \u0161t\u00fadiou telev\u00edznych noriem titulkovania […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-719","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/pages\/719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/comments?post=719"}],"version-history":[{"count":5,"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/pages\/719\/revisions"}],"predecessor-version":[{"id":1016,"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/pages\/719\/revisions\/1016"}],"wp:attachment":[{"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/media?parent=719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/ul>\n
Lawrence Venuti<\/h3>\n
Susan Bassnett<\/h3>\n
Nadja Grbi\u0107<\/h3>\n