{"id":723,"date":"2021-08-13T12:01:49","date_gmt":"2021-08-13T10:01:49","guid":{"rendered":"https:\/\/www.tic-conference.eu\/keynote-speakers\/jan-pedersen\/"},"modified":"2026-10-13T07:17:35","modified_gmt":"2026-10-13T05:17:35","slug":"jan-pedersen","status":"publish","type":"page","link":"https:\/\/www.2021.tic-conference.eu\/sk\/hlavni-recnici\/jan-pedersen\/","title":{"rendered":"Jan Pedersen"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8220;1&#8243; custom_padding_last_edited=&#8220;off|desktop&#8220; admin_label=&#8220;Hero&#8220; _builder_version=&#8220;4.16&#8243; use_background_color_gradient=&#8220;on&#8220; background_color_gradient_stops=&#8220;#ffffff 0%|#ffe6bf 100%&#8220; background_color_gradient_start=&#8220;#ffffff&#8220; background_color_gradient_end=&#8220;#ffe6bf&#8220; custom_margin=&#8220;|||&#8220; custom_padding=&#8220;100px||50px|||&#8220; custom_padding_tablet=&#8220;130px||130px|&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_row column_structure=&#8220;1_2,1_2&#8243; _builder_version=&#8220;4.16&#8243; background_size=&#8220;initial&#8220; background_position=&#8220;top_left&#8220; background_repeat=&#8220;repeat&#8220; custom_margin=&#8220;|||&#8220; custom_padding=&#8220;1px|||||&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.16&#8243; custom_padding=&#8220;|||&#8220; global_colors_info=&#8220;{}&#8220; custom_padding__hover=&#8220;|||&#8220;][et_pb_text _builder_version=&#8220;4.16&#8243; header_font=&#8220;Merriweather|700|||||||&#8220; header_font_size=&#8220;46px&#8220; header_line_height=&#8220;1.3em&#8220; custom_margin=&#8220;||0px|&#8220; animation_style=&#8220;flip&#8220; animation_direction=&#8220;top&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<h1>Jan Pedersen<\/h1>\n<p>[\/et_pb_text][et_pb_divider color=&#8220;#fea30b&#8220; divider_position=&#8220;center&#8220; divider_weight=&#8220;2px&#8220; _builder_version=&#8220;4.16&#8243; max_width=&#8220;90px&#8220; max_width_tablet=&#8220;12%&#8220; max_width_last_edited=&#8220;off|desktop&#8220; custom_margin=&#8220;|||&#8220; animation_style=&#8220;flip&#8220; animation_delay=&#8220;50ms&#8220; global_colors_info=&#8220;{}&#8220;][\/et_pb_divider][et_pb_text _builder_version=&#8220;4.16&#8243; text_font=&#8220;||||||||&#8220; text_font_size=&#8220;18px&#8220; text_line_height=&#8220;1.8em&#8220; min_height=&#8220;593px&#8220; custom_margin=&#8220;1px|||||&#8220; animation_style=&#8220;flip&#8220; animation_direction=&#8220;top&#8220; animation_delay=&#8220;100ms&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<div itemprop=\"articleBody\">\n<p><span>Jan Pedersen \u0161tudoval na univerzit\u00e1ch v \u0160tokholme, Kodani a Uppsale. PhD obh\u00e1jil na \u0160tokholmskej univerzite v roku 2007 a v roku 2015 sa stal docentom translatol\u00f3gie. Jeho dizerta\u010dn\u00e1 pr\u00e1ca s n\u00e1zvom <em>Scandinavian Subtitles<\/em>\u00a0je komparat\u00edvnou \u0161t\u00fadiou telev\u00edznych noriem titulkovania v \u0161kandin\u00e1vskych krajin\u00e1ch. Je b\u00fdval\u00fdm predsedom ESIST, \u010dlenom EST a TraNor ako aj spolueditorom a spoluzakladate\u013eom platforiem\u00a0<em>Benjamins Translation Library<\/em>\u00a0a\u00a0<em>Journal of Audiovisual Translation.<\/em>\u00a0\u010casto vystupuje na medzin\u00e1rodn\u00fdch konferenci\u00e1ch a medzi jeho publik\u00e1cie patr\u00ed nielen monografia\u00a0<em>Subtitling Norms for Television<\/em>\u00a0(2011), ale aj viacero \u010dl\u00e1nkov o titulkovan\u00ed, preklade a lingvistike. Okrem toho ako titulk\u00e1r dlh\u00e9 roky pracuje v telev\u00edzii. Jan p\u00f4sob\u00ed na \u0160tokholmskej univerzite, kde riadi Tlmo\u010dn\u00edcky a prekladate\u013esk\u00fd in\u0161tit\u00fat a venuje sa tam v\u00fdskumu a vyu\u010dovaniu audiovizu\u00e1lneho prekladu.<\/span><\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8220;1_2&#8243; _builder_version=&#8220;4.16&#8243; custom_padding=&#8220;|||&#8220; global_colors_info=&#8220;{}&#8220; custom_padding__hover=&#8220;|||&#8220;][et_pb_image src=&#8220;https:\/\/www.2021.tic-conference.eu\/wp-content\/uploads\/2021\/08\/2.png&#8220; title_text=&#8220;2&#8243; force_fullwidth=&#8220;on&#8220; align_tablet=&#8220;center&#8220; align_phone=&#8220;&#8220; align_last_edited=&#8220;on|desktop&#8220; _builder_version=&#8220;4.16&#8243; custom_padding=&#8220;0px|||49px||&#8220; animation_style=&#8220;slide&#8220; animation_direction=&#8220;right&#8220; animation_intensity_slide=&#8220;10%&#8220; global_colors_info=&#8220;{}&#8220;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8220;1&#8243; module_id=&#8220;jan-key&#8220; _builder_version=&#8220;4.16&#8243; _module_preset=&#8220;default&#8220; custom_padding=&#8220;||100px|||&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_row _builder_version=&#8220;4.16&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.16&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_text _builder_version=&#8220;4.16&#8243; _module_preset=&#8220;default&#8220; text_font_size=&#8220;18px&#8220; text_line_height=&#8220;2em&#8220; custom_padding=&#8220;|0px|||false|false&#8220; custom_padding_tablet=&#8220;|0px|||false|false&#8220; custom_padding_phone=&#8220;|0px|||false|false&#8220; custom_padding_last_edited=&#8220;on|tablet&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<h3><span><strong>Keynote speech:<\/strong><\/span><\/h3>\n<p><span><strong><\/strong><\/span><\/p>\n<h4><em><strong>Rehumanising Subtitling: Why humans make better subtitles than machines<\/strong><\/em><\/h4>\n<p>&nbsp;<\/p>\n<p><span>Subtitling is in many ways a special form of translation. For example, the very concepts of source text and target text are different from literary, as well as most kinds of non-literary, translation in that they are polysemiotic (or multimodal). Subtitles are not target texts in themselves; they become a part of the fabric of the film and do not make sense on their own. This makes the subtitle instrumental in creating the target text. Subtitles are also transient like the speech they represent, which means that the subtitler must choose among the many and varied meanings that the source text offers and decide what to add to the source text to create a target text that can give the viewer a meaningful experience. The process of subtitling is consequently a hermeneutic activity encompassing much more than language.<\/span><\/p>\n<p>The nature of subtitles and the process of subtitling make machines poor subtitlers, despite recent attempts to automate (part of) the subtitling process. Subtitles are more than written (and translated) transcripts of dialogues, and the complexities of the polysemiotic\/multimodal source text make the process of subtitling unsuitable for machine translation. The algorithm-based transfer of words offered by machine translation cannot replace the creative, hermeneutic output of the subtitler, who instead becomes a post-editor, whose creativity is limited by the solutions offered by the machine, particularly as working conditions decline. Furthermore, the increased reading speeds that facilitate machine translation make for a more strenuous viewing experience. The resulting decrease in quality makes a good argument for rehumanising subtitling.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8220;4.16&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.16&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_button button_url=&#8220;https:\/\/www.2021.tic-conference.eu\/sk\/hlavni-recnici\/nadja-grbic\/&#8220; button_text=&#8220;Nasleduj\u00faci re\u010dn\u00edk &#8211; Nadja Grbi\u0107&#8220; button_alignment=&#8220;right&#8220; _builder_version=&#8220;4.19.0&#8243; _module_preset=&#8220;default&#8220; custom_button=&#8220;on&#8220; button_text_size=&#8220;14px&#8220; button_text_color=&#8220;#000000&#8243; button_bg_color=&#8220;#fea30b&#8220; button_border_width=&#8220;12px&#8220; button_border_color=&#8220;#fea30b&#8220; button_border_radius=&#8220;0px&#8220; button_letter_spacing=&#8220;1px&#8220; button_font=&#8220;|700||on|||||&#8220; button_icon=&#8220;&#x24;||divi||400&#8243; button_icon_color=&#8220;#000000&#8243; button_on_hover=&#8220;off&#8220; background_layout=&#8220;dark&#8220; custom_margin=&#8220;|||&#8220; custom_padding=&#8220;|||&#8220; hover_enabled=&#8220;0&#8243; global_colors_info=&#8220;{}&#8220; sticky_enabled=&#8220;0&#8243;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jan Pedersen Jan Pedersen \u0161tudoval na univerzit\u00e1ch v \u0160tokholme, Kodani a Uppsale. PhD obh\u00e1jil na \u0160tokholmskej univerzite v roku 2007 a v roku 2015 sa stal docentom translatol\u00f3gie. Jeho dizerta\u010dn\u00e1 pr\u00e1ca s n\u00e1zvom Scandinavian Subtitles\u00a0je komparat\u00edvnou \u0161t\u00fadiou telev\u00edznych noriem titulkovania v \u0161kandin\u00e1vskych krajin\u00e1ch. Je b\u00fdval\u00fdm predsedom ESIST, \u010dlenom EST a TraNor ako aj spolueditorom a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":719,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-723","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/pages\/723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/comments?post=723"}],"version-history":[{"count":6,"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/pages\/723\/revisions"}],"predecessor-version":[{"id":1138,"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/pages\/723\/revisions\/1138"}],"up":[{"embeddable":true,"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/pages\/719"}],"wp:attachment":[{"href":"https:\/\/www.2021.tic-conference.eu\/sk\/wp-json\/wp\/v2\/media?parent=723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}